This blog was guest written by an adorable, energetic and sweet friend of mine. I had no idea that this woman, who works for our sponsor, Turner, was also into stage performances! So, when she told me one Sunday that she was working on a play about maids who want to kill their boss, of course I wanted to go! Then, she told me that the two lead roles of the maids were written to be performed by men, a wish that had rarely been carried out. Ok, now she really had my interested. And then the other conversation came up – how does she do that, and her full time job? Can she have it all?

– Vickie, WMN

 


 

tinapic

Having a full time job in Television, like most jobs in Hong Kong really, means long hours. And in a competitive environment like ours it also means a lot of mental energy invested towards that job.

I chase a career, which I love, spend time with my husband and go to the gym sporadically. I could consider myself underachieving, compared to women who are doing it all. Those marathon-running, brownie-baking, soccer-mum, investment bankers. And that’s usually ok.

I write usually, because there is a part of me that lies untapped that I wish I had time to expand on. A part that is too exhausted to get up and do it. And that’s my love of theater and more importantly my love of directing for stage. Owning the stage is a part of me, an integral core of ‘me’.

The stage is my medium of expression and art. I see the space and shape of a stage and think of a script. ‘Could I perform

here?’ I see actors and think ‘how can I mold them?’ I see spot lights and imagine them cast as shadows. I see the empty seats and think ‘how can I engage the audience?’

But my full time job means I can never do justice to a script. To perform a script is to live, breathe and feel the script . And as a director it becomes all-consuming.

I had nearly given up on my dream to direct, when a month back, the phone rang and out of the blue I got an offer to co-direct a script. Sometimes when the opportunity to live your dream appears in front of you, don’t rationalise or evaluate, just jump right in. I jumped in and said YES. And then rather belatedly remembered I hadn’t asked what the piece was which is not the deep thinking director I thought myself to be. Content is King and Script is Prime.

And then a panic stricken realisation that I had said YES to an insanely short timeline to put together a performance for the public!

Don’t think, just make a commitment and move ahead to make it happen.

Lucky for me the script turned out to Jean Genet’s classic The Maids. And the most intriguing thing about this play is the fact that Genet wanted the two female leads to be played by men.

As the protagonists perform their roles, they also role-play. They act out their anger, their frustration and play-act their murderous plot. Through this maze of truth and lies, the audience is forever reminded that something is being performed for them. The illusion of reality is broken.

 

themaidsposter2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I spent very real days at my desk at work and then surreal evenings directing female roles forgetting our actors were men. Weekends spent discussing hair and make-up, costumes and props.

I am sleep deprived but feel like I have run a marathon too. I did it all in my universe.

As the play opens in November, I will feel like a proud mother. Whatever the outcome, its my baby and she is amazing!

 

The Maids runs from November 6th-9th at the Hong Kong Arts Centre. To book tickets to see The Maids, contact Urbtix

 

Tina is Associate Director Sponsorship and Promotions – Creative Brand Solutions at Turner International Asia Pacific Limited. Follow Tina’s blog.


 

 

If you have thoughts, questions or readings to share, please talk to us via our social media accounts.

@wmnasiapacific

www.facebook.com/WMNAPAC

LinkedIn group

Comments are closed.

Post Navigation